数智媒介下叙事地图的基本理论问题——概念界定、叙事结构与意义生成机制

Fundamental Theoretical Issues of Narrative Maps Under Digital-Intelligent Media: Definition of Concepts, Narrative Structure, and Meaning-Generating Mechanism

  • 摘要: 随着叙事地图逐渐成为当今社会中一项重要且基础性的表意活动实践,学者们开展了深入的讨论并逐渐建立起了叙事地图学的理论体系。 然而,现有研究多集中于纸质媒介下的地图样态,对数智媒介下叙事地图(Intelligent Digital Narrative Map, IDNM) 的基本理论问题缺乏系统性阐述。针对这一学术空白, 首先基于数智媒介下叙事地图的系统构成,厘清其概念内涵和本质特征, 继而从交互视角、拼装层级、情节生成 3 个维度入手, 构建了数智媒介下叙事地图的类型立方体模型,实现了对其类型的科学划分; 其次,从“故事” 与“话语” 两个维度出发,剖析了数智媒介下叙事地图的叙事结构特征; 再次,从时空感知的重构机制、情感认知统一的沉浸机制、 由算法逻辑与程序规则所引导的制约机制 3 个关键维度, 廓清了叙事地图的意义生成机制;最后,对后续研究的关键议题进行了展望。 本研究完善了叙事地图学的基础理论体系,并回应了数智转型背景下地图研究的理论适切性问题,以期为推动当代地图学的理论创新提供参考。

     

    Abstract: Objectives: As maps become increasingly embedded in processes of social construction, narrative cartography has emerged as a vital and foundational mode of expressive practice. However, existing scholarship has primarily focused on print-based map forms and lacks a systematic theoretical framework for understanding intelligent digital narrative maps (IDNM). To address this gap, it is urgent to uncover the distinctive concepts and mechanisms that set IDNM apart from print-based narrative maps. Methods: Through a comprehensive survey and synthesis of emerging practices, an inductive approach is adopted to generalize the essential characteristics of IDNM. On this basis, conceptual abstraction and systematic categorization are employed to construct a typological framework, while further examination is directed toward their narrative structures and mechanisms of meaning-making. Results: The conceptual connotation of IDNM is defined, outlining their essential characteristics distinct from printbased forms. A typological cube model is developed across three dimensions—interactive perspective, assembly hierarchy, and plot generation—to categorize different types of IDNM. Their narrative structures are further examined through the dual dimensions of story and discourse, highlighting ruptures and reconstructions in narrative logic. To elucidate meaning-making, three processes are identified: the reconstruction of spatiotemporal perception, the immersive integration of emotion and cognition, and constraint mechanisms shaped by algorithmic logic and procedural rules. These findings demonstrate that IDNM reorganize spatiotemporal perception, foster embodied affective engagement, and embed computational regulation into narrative construction, thereby reshaping narrative cartography and expanding its expressive and interpretive capacities. Conclusions: By addressing fundamental theoretical questions, the research contributes to shifting the paradigm of narrative cartography toward data-driven and computationally mediated frameworks. The work also identifies critical issues for future exploration, pointing to the necessity of refining theoretical, methodological, and technical approaches in the study of IDNM.

     

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